16 Oct 2025
Gabrielle Goliath and Lindokuhle Sobekwa in MoMA’s ‘New Photography 2025’
17 Sep 2025
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Essay

Decolonizations: Engaging the Works of Alexandre, Mahama, and Gbaguidi Toward Maturity and Difference

Going into Goodman Gallery, one has to first move through the city. Johannesburg is a place that brims with energy: dense, heterogeneous, and

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Essay

No Easy Reconciliation: an Essay on Ernest Cole by writer and editor Sean O'Toole

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News

Hank Willis Thomas: All Power to All People (bronze) at Yorkshire Sculpture Park

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Featured Film

Under the Influence: William Kentridge

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Press Release

Goodman Gallery Reimagines Working Title: An Initiative Championing the Next Generation of Artists

Goodman Gallery is thrilled to announce the re-imagination of Working Title, an initiative that champions and spotlights the next generation

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Feature

Alfredo Jaar’s The End has been shortlisted for the Prix Pictet 2025

The exhibition opens 26 September until 19 October at V&A Museum in London, not to be missed! This year's theme for the prize is Storm. "It

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Press Release

Nolan Oswald Dennis and Pélagie Gbaguidi at the 18th Istanbul Biennial

Goodman Gallery is pleased to announce the participation of Nolan Oswald Dennis and Pélagie Gbaguidi in the 18th Istanbul Biennial, The Three

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New Commission: Zineb Sedira - Dreams are a language made of images

Goodman Gallery is delighted to announce a new commission by Zineb Sedira, Dreams are a language made of images (2025). Co-curated with Arup

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Kapwani Kiwanga 'On Growth' at deCordova in June 2025

Set inside this shimmering multi-colored glass chamber is a coiling fern-like sculpture. To create this prismatic artwork, Kapwani Kiwanga researched Wardian cases, a predecessor to modern day terrariums which were used to transport botanical specimens from overseas to display in European cities. At deCordova, many of the trees were similarly collected from afar and brought to the landscape when Julian and Elizabeth Dana de Cordova lived here during the late 19th and early 20th centuries.

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